Editor's Foreword
Introduction
PART 1: KEYNOTE PAPERS
Scholarship, Authenticity, Honesty
The Heritage of Pythagoras: Nineteen to the Dozen
PART 2: ROUND TABLES
Round Table 1: Perception and Cognition
Brain and Music: An Electrophysiological Approach
Perception of Tonal Pitch Space and Tonal Tension
The Timing Implications of Musical Structures
Listening to a Piece of Music: A Schematization Process Based on Abstracted Surface Cues
Music and Affect: Empirical and Theoretical Contributions from Experimental Psychology
Strong Experiences of and with Music
Response
First Response to the Respondent
Second Response to the Respondent
Round Table 2: Literary Studies
Music and Narrative in Recent Theory
All Russian Music is So Sad: Two Constructions of the Russian Soul, through Literature and Music
Drowning in Music: Ophelia's Death and Feminist Hermeneutics
The Study of Medieval Music: Some Thoughts on Past, Present, and Future
The Music of Rhetoric
Round Table 3: Directions in Musicology
Statement
Statement
Response
Response
Response
Response
Response
Response
Closing Remarks
Closing Remarks
Round Table 4: Historiography
Music Historiography, Critical Theory, and Other Tales
The Problem of the French Revolution in Music Historiography and History
Difficoltà della storiographia dell'opera italiana
Collapsing the Dialectic: The Enlightenment Tradition in Music and its Critics
Round Table 5: Sociology
Music and Sociology: Perspectives, Horizons
Ethnomusicology and Music Sociology
Musical Practices and Hidden Musicians: A Perspective from Sociology and Anthropology
Music from an Anthropological Perspective
From Music-Makers to Virtual Singers: New Musics and Puzzled Scholars
Music and Cultural Practices
The Sociology of Music as Self-Critical Musicology
Bibliography
Round Table 6: Philosophy
New Music and Philosophy
Absolute Music and the New Musicology
Signs and Trancendence
Authenticity, Interpretation, and Practice: Probing Their Limits
Response: Four Philosophies of Musical Interpretation
Round Table 7: Cultural Politics
Musicology and Sexuality: The Example of Edward J. Dent
Beethoven's Ironies
Ethnography, Ethnomusicology, and Post-White Theory
PART 3: REPORTS ON STUDY SESSIONS
Music in Tuscany: Past Research and Future Projects
The Circulation of Music in Europe 1700-1850
Music and/as Ethics
The Dating and Chronology of the Works of Josquin des Prez
Musicology, Popuar Music Studies, and Political Economy; Musicology, Popular Music Studies, and Cultural Geography; Musicology, Popular Music Studies, and the Interpretative Sciences
Berlioz et autour de Berlioz: Un artiste en son temps
Portuguese Musical Outreach: Five Centuries
Research in Music Performance: New Methods and Tools
Feminist Epistemologies in Ethnomusicology
Musicology and Biography
Opera Orchestras in Eighteenth- and Nineteenth-Century Europe
The Early Violin
Auditory Scene Analysis: Future Directions for Musicological Research
Chant and Liturgy: Compositional Planning in Liturgical Chant
Music Iconography: Transmission and Transformation of Symbolic Images
Repertory and Canon: The Dynamics of Canon Formation, 1700-1870
Perspectives on Instrumental Music of the Late Fifteenth and Early Sixteenth Centuries
Theatrical Dance and Music, 1650-1850
British Music Since Britten
Semiotics, Structural Semantics, Rhetoric: Musical Language Sciences in Contemporary Musicology
Interpreting Performance: Chopin-Playing in Perspective
Theorizing the Transnational
Sense and Sonority in Aquitanian Polyphony and the Conductus
The Evolution of Musical Instruments
Der Mensuralcodex St Emmeram (Clm 14274): Eine zentrale Quelle für die Musik Mitteleuropas im 15. Jahrhundert und musikalischen, liturgischen, und theologischen Voraussetzungen
Opéra et mélodrame en France, 1800-30: Une enquête sur les genres
Music, Politics, and Patronage in Spanish and Portuguese Dominions in the Early Modern Period
Chant and Analysis: Where Are We, and Where Do We Go?
Musicology, Popular Music Studies, and the Interpretative Sciences
Musical Data and Computer Applications
Keyboard Organology: Past, Present, and Future
Kulturelle Traditionen in Mitteleuropa: Musikleben zwischen Zentralismus und regionaler Spezifik am Beispiel der Rolle von Vereinen
Implications for Mainstream Musicology of Recent Research in Music Cognition
La vie musicale sous Vichy, 1940-1944
Chant and Palaeography
Music between East and West: The Work of Lutoslawski, Penderecki, and Górecki in the context of Culture and History
Musicology and Art History
Theorizing Mixed Media
To the Ends of the Earth: Refugee Musicians in East Asia and Latin America, 1933-1945
The History of the Papal Chapel
Rapporti tra testo, musica e scena nello spettacolo a Napoli nel Settecento
The Early Sixteenth-Century Organ in England: Its Form, Music, and Place in the Liturgy
Contexts for Brass: History, Performance, Culture
Race and Culture in the Aesthetics of William Grant Still (1895-1978)
Redefining the Low Countries
Recent Mozart Research and Der neue Köchel
Music, Healing, and Culture: Towards a Comparative Perspective
Facism and Music
New Methods, New Visions: Computational Initiatives for a New Millennium
PART 4: ABSTRACTS OF FREE PAPERS
Session 1: Liturgy and Homiletics
The Emerging Chant Repertory in Early Roman Sermons and Commentaries (Fifth-Seventh Centuries)
The Influence of Homiletic and Exegetical Literature on the Fleury Lament of Rachel
Le vocabulaire de la psalmodie dans Règle de St Benoît, à la lumière des données musicales traditionnelles
How to Build an Alleluia
History and Liturgy: The Historia of Thomas Becket
Session 2: The Historiography of Early Music
Towards a Theory of Musical Patronage in the Rennaisance and Baroque Eras: A Proposal between Anthropology and Semiotics
Inaudible Efforts, Labeur des doigts, and the Monumentalizing Impulse: Towards a Sociology of Musical Auctoritas in Francophone Europe, 1200-1600
Music in Seventeenth-Century Emblem Books: Mass Manipulation of Cultural Values
Artusi's Rage: Fear and Loathing in the Prima prattica
Enemies of Love: Staging Female Excess in Monteverdi's Il ballo delle ingrate
A Jungian Perspective on Monteverdi's Late Madrigals
Study Session 3: Eighteenth-Century Opera
The Rhetoric of the Enlightened Hero: Gender and Operatic Reforms in Early Eighteenth-Century Italy
Les éditions parisiennes de livrets d'opéras et leur contrefaçon bruxelloise dans le seconde moitié du XVIIIe siècle
Trembley's Polyp and the Natural History of Opera buffa
Alfieri and the Transformation of Opera Seria
The London Opera of Joseph Haydn: Loss, Lament, and Lieto fine
Session 4: Broadcasting and the Media
Opera Studies, Film Studies: Gounod's Faust and the History of Early French Cinema
A Spectre-World Cuts Through Our Space: Early German Radio Criticism and the Listening Subject
Unión Radio: Música, communicación e ideología
La zarzuela como material ideológico en el cine y la televisión 1940-70
New Music on the New Third: Exploring BBC Music Policies and Practices in the Post-War Decade
When Teaching Ten Thousand was Not Enough: E. Azali Hackley and African-American Music Journalism
Session 5: Early Polyphony
Is it Polyphony?
The Medieval Motet in Occitania and the Occitanian Motet
The Study of Pigments in Medieval Manuscripts
Secular-Song Tenors and the Fourteenth-Century Motet
Added Contratenors in the Ballades of Gullaume de Machaut
Session 6: The Sixteenth-Century Tradition
Sacred Music at the Court of Fernando de Aragón, Duke of Calabria: The Context of Barcelona M. 1166/1967 and a Parody Mass on Josquin's Inviolata
Laura, Laura, Laurels: Strategies of Multiplication in Petrarch and Marenzio
Carnival and Carne vale: Orlando di Lasso and Roman Courtesans
Music in the Tragedia spirituale
The Masses Salve regina and O magnum misterium: New Light on Victoria's Parody Technique
Session 7: Analysis of Nineteenth-Century Music
Registral Direction and Melodic Implication
An Exegisis of the Kyrie from Beethoven's Mass in C, Op. 86
Nineteenth-Century Hallmark, Theoretical Problem: Third Relations in Schubert's Unfinished and Beethoven's Waldstein
Rossini as Master of Instrumental Composition: Bonifazio Asioli's Analysis of the Sinfonia from Le cenerentola
Brahms the Autumnal: Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104, No. 5
Session 8: Methodologies
Ethnomusicologies of the West: Questions of Perspective and Scope
American Musicology and the Archives of Eden
Problems in the Application of Linguistic/Semiotic Priciples to Music
Music in Action: The View from Sociology
Queen Elisabeth of Belgium, The A-Bomb, and Einstein's Violin: About Pacificism, Patheism, and the Passion for Music
Session 9: The Fifteenth-Century Tradition
The Wedding of Pious and Profane: A Cultural Context for the Chanson Mass
Musical Life at the Collegiate Church of Saint-Omer, Northern France, c.1460-1504
The Meaning of Okeghem's Intemerata dei mater
Obrecht's Anchises: Virgilian Allusion in Mille quingentis
The Controversial Indentity of an Iberian Poet-Musician of the Renaissance: Badajoz el musico
Session 10: Baroque Sacred Music
Music in the Cathedral of Manila: Evidence for the First Two Centuries from the Archdiocesan Archive
Modelos de financiación de música en las catedrales españolas: Formas e implicaciones
Music, Ritual, and the Writings of Teodosio Herrera y Bonilla (1652-1734)
The Sounding City: Urban History and Music in Baroque Jaén
Icongrafia musical en la tarasca barroca madrileña: Algunos ejemplos representativos
The Interior-Exterior Duality in the Performances of the Musical Ensembles of Granada: Non-Salaried Posts and Extravagantes Performances
Session 11: Music and Society in the Nineteenth Century
Salon, Gender, and Musical Culture in Sweden around 1800
Chladni as Musician Manqué
Byron and the Poetics of Berlioz's Harold Symphony
Música sabia: The Reception of Classical Music in Madrid (c.1830-1870)
Four-Hand Transcription: Changing Performing Spaces and Genres
Early Nineteenth-Century Virtuosity and its Public: Power, Gender, and Class in the Concert Hall
Session 12: New Music
The Visual Language of American Experimental Music
Roland Barthes's Text and Aleatory Music: Is The Birth of the Reader the Birth of the Listener?
Imploding the System: Kagel and the Deconstruction of Modernism
Can Literary Criticism Contribute to the Study of Musical Borrowing? The Case of Twentieth-Century Italian Music
An Object-Orientated Analysis of Twentieth-Century Piano Music
Musical-Historical Conceptions in the Light of the Systematic Approach
Session 13: Early Theory and Music
Law as a Sister Discipline of Music in the Middle Ages and Renaissance
Time out of Time: Eternity as a Thirteenth-Century Philisophical Issue Exemplified in Music
Ordo naturalis in Eleventh-Century Theoretical Systems
Glosses on Music and Grammar and the Advent of Music-Writing in the West
Session 14: Music and Society Around 1700
Carnival, Commedia dell'arte and the Paris Opéra in the Late Years of the Sun King, 1697-1710
Musicians, Amateurs, and Collectors: Early French Auction Catalogues as Musical Sources
Queen Marie Leczinska as Patron of Music: Opera and Chamber Music at the Court of Louis XV
The Personal Network: A Sociological Approach to Imported Villancico Texts and Music Supply at Segovia Cathedral (1650-1700)
Collecting and Enlightenment: Musical Instruments in the Natural History Cabinet of Charles III of Spain (1759-88)
Session 15: Nineteenth-Century Topics
Virtue, Reform, and Pure Music in Second Empire Paris
Felix Mendelssohn Bartholdys geistliche Vokalmusik: Eine Versuch ihrer chronologischen und stilistischen Einordnung
The Stornello and its Popularity in Ottocento Italy
Apocalypse (Now?): Politics in the Sacred Music of Johann Brahms
Orientalism in Borodin's Prince Igor
Canonizing the Dutchman: Wagnerism and Der fliegende Holländer
Session 16: Technology and Systematic Musicology
Music and Technology
Did Greco-Roman Hydraules have Keyboards?
The Applicability of Psychological Methods in the Study of Musical Rhythm
Acoustique musicale et musicologie: L'apport de l'outil acoustique dans l'analyse perceptive
Stochastic Analysis and Music Predictability
Cognitive-Perceptual Effects in Music: Shepard Tones and the Canon Per tonos from J.S. Bach's Musical Offering
Session 17: Gluck and Eighteenth-Century Aesthetics
Retorica e tragedia per musica: L'Iphigénie en Aulide di Gluck (1774)
Gluck's L'Iphigénie en Aulide (1774-5): Reception and Revision
Les rêveries renouvelées des Grecs: Facture, Function, and Performance Practice in a Vaudeville Parody of Gluck's Iphigénie en Tauride (1779)
Gluck in the Age of Living Reproduction: Fin-de-siècle Critics Speak on Antiquarian Opera
Romantic Music Aesthetics and its Literary Origins in the Writings of Karl Philipp Moritz
Gothic Architecture and Baroque Polyphony: A Romantic Blend
Session 18: The Eighteenth-Century Tradition
Rediscovered East-European Sources of Hasse's Sacred Music
Reading the Metre: Verse Forms in Oratorio Librettos written for Handel by Charles Jennens and Thomas Morell
Musicology, Politics, and Heraldy: The Te deum: A State Motet at the Time of Louis XIV and Louis XV
Riepel, Leibniz, and the Ars combinatoria in Seventeenth- and Eighteenth-Century Musical Thought
Session 19: Early Twentieth Century
Musical Symbolism in the Operas of Debussy and Bartók
Loneliness and Love: The Literary Context of Béla Bartók's Bluebeard's Castle
David: Stravinsky's Music-Hall Ballet
Schönberg ist Theosoph: Anmerkungen zu einer wenig beachteten Beziehung
Schönbergs Vortagsideal rekonstruiert anhand einer Quelle zu op. 10
Objectifs et méthodes d'une herméneutique de la création et de la réception musicales
Session 20: Ethnology
Interrogating Musicological Otherness in India: Madan-ul-Mausiqi as a Mine of Music History
White Facts about Blacks: Interculturalism, Music Education, and Identity in South Africa
Der Tonartbegriff in der traditionellen türkischen Musik
Oral Traditions and Performance Practices in the Encyclopedia Jiu gong da chen nan bei ci gong pu, Collections of Southern and Northern Chinese Songs
Objectification of Music and the Domination of Nature (Naturbeherrschung): T. W. Adorno's Theory in the Light of Comparative Music Aesthetics
The Body in Music
Session 21: Renaissance Source Studies
Identifying Composer Autographs in Pre-1600 Manuscripts
In the Workshop of a Late-Medieval Editor: Johannes Martini and the Manuscript I-MOe ?.M.1.13
The Structure of the Chigi Codex: An Enigma Resolved
Who is Katherine? The Women of the Berg & Neuber-Gerlach-Kauffmann Printing Dynasty
The Printing of the Novum et insigne opus musicum (RISM 1537/1 and RISM 1538/3)
Parthenia: A Paradigmatic Epithalamion
Session 22: Opera Around 1700
Comisión nobiliaria en la circulación de la ópera italiana en Iberoamérica en los primeros años des siglo XVIII
A New Source of Seventeenth-Century Spanish Theatre Music from Mexico City
Between the Market and the Public Institution: The First Spanish Opera Company in the Commercial Theatres in Madrid during the Eighteenth Century
Italian Opera and/in Spanish Theatres: Francesco Corradini in Valencia (1727-31)
Sacrilege, Power Politics, and Lèse-majesté: The Political Uses of Opera in Eighteenth-Century Gustavian Sweden
Session 23: Twentieth-Century Topics
(Musical) Jugendstil Revisited: Interspecific Conceptual Modelling and the Turn-of-the-Century Peripheral Artsong
The Piano in Gustav Mahler's Um Mitternacht: Invention or Error?
To the Jew a Foreign Tongue: Mahler's Orchestrations as a Sign of Difference
Machine Music
Rose R. and Emilia Marty: The Representation of the Human Experience of Time in Janácêk's The Makropoulos Affair
Magic, Ritual, and Mystery in the Poetic Conception of Manuel de Falla's Music
Session 24: Jazz and Pop
What is Jazz, and How Might Scholars Write About It?
As Fats Waller Tells It: It's a Sin to Tell a Lie
We are Not Hurdy-Gurdies: Musicians in a Changing Music World
Operatic Intersections with Rock Music: Popularizing Opera
Punk, Funk, Dub, and Disco: British Post-Funk and the Avant-Garde Groove
Session 25: Seventeenth-Century Topics
Music and Military Virtue in Early Modern France: The Equestrian Ballet
Guido Casoni (d. 1642) on Love as Music, a Theme for All Seasons
Music of Devotion in Counter-Reformation Rome: Borboni's Musicali concenti
Behind the Dragon's Mask: Hidden Political Music of the Restoration
Baroque, musique, littérature: La nouvelle espagnole du XVII siècle, genre littéraire et source musicologique
Session 26: Eighteenth-Century Instrumental Music
The String Quartets of Franz Asplmayr and their Relationship to the Development of Haydn's String-Quartet Style
Trumpets, Feldmusik, Continuity, and Hierarchy: Music and the Imperial Procession during the Reign of Maria Theresia
Empress Maria Therese of Austria as Musician and Musical Patron
The Hofkapelle under Joseph II and Mozart's Appointment
Title, Function, and the Concept of Genre: The Earliest True Symphonies
Session 27: Nineteenth-Century Opera
Bellini and his Music as Political Symbol
Mimesis and Hysteria in La muette de Portici
Issues in the Reception of Meyerbeer's Les Huguenots
Music-Literature-Theatre-History: A New Approach to Nineteenth-Century Czech Opera
Che bella cosa scrivere a tre voci: Verdi's Use of the Trio Form (Musical, Dramatic, and Aesthetic Conception)
Beyond Exoticism: Cio-Cio-Sans Screen and the Uses of Convention
Session 28: Transnationalism
Musicology and Missiology
Chinese Politics and Western Musicians in China: A Reflection on Contemporary Exchanges versus Experiences of the Eighteenth-Century Musician-Priests
The Iwakura Missions Encounters with Western Music and their Consequence
Russian Roots, American Branches: Music in Cognate Cultures
The History of German-Russian Musical Contact: German Musical Families in St Petersburg from the Second Half of the Nineteenth-Century to the Beginning of the Twentieth
Session 29: Hildegard of Bingen
Interdisciplinary Objects: the Case of Hildegard Bingen
Rhetorical Chant? The Relationship between Music and Text in the Repertory of Hildegard of Bingen
Hildegard's Ordo virtutum: Musical Rhetoric and Monastic Education
Session 30: Early Dance
Would You Like to Dance this Frottola? Choreographic Concordances in Two Early Sixteenth-Century (Tuscan?) Sources
The Travelling Dance-Band: Patterns of Transmission of Dance and Music in Fifeteenth-Century Europe
The Myth of Stylized Dance
Session 31: Early Twentieth-Century USA
Revising Ives
DuBose Heyward's Drafts for the Porgy Story as Cultural Politics
Ruth Crawford Seeger and John Cage: New Connections between Two American Originals
Session 32: Early Twentieth-Century France
The Symphony as Political Tool in Early Twentieth-Century France
French Political Ideology as Performative Context: The Concert by World War I
Poulenc and the Painters: The Influence of Art and Artists on his Life and Music
Session 33: Renaissance Theory
On the One and the Many: Conflicting Ontologies of Sound in Late Fifteenth-Century Music Theory
Musica theorica and Musica practica im Lichte der Studia humanitatis: Astronomie und Medizin als Grundlage und Rechtfertigung für Franchino Gaffurios Porportionendenken
Compositio levis et utilis: Simple Formulas as Substitutes for Counterpoint Studies in the Teaching of Composition around 1500
Zwischen der Musiktheorie und Poetik der Renaissance: Decorum
Glareanus and Vasari: Two Competing Views of Historical Progress from Late Renaissance Europe
Theories, Proof, and Dissent in Spanish Music Theory, 1508-77
Session 34: Schubert and Song
Schubert Iconography: New and Problematic Issues
Franz Schubert and the Liederspiel: From the Kosegarten Cycle to Die schöne Müllerin
Schubert's Activities in the Unsinnsgesellschaft (1817-18): New Literary and Iconographical Documents
Schubert's Free Verse Setting
Die Gedichte der schwäbischen Dichterin Friederike Robert in den Vertonungen von Fanny Hensel
Performing Purcell's Mad Bess in Late Eighteenth- and Early Ninettenth-Century England
Session 35: Music and Literature: Twentieth Century
Indagando la musicalità della poesia di Gabriele dAnnunzio: Il Poema paradisiac
Faustus, Mephistopheles and Gretchen? The Significance of Thomas Mann in the Music of Luigi Dallapiccola 1947-55
Ghost Trio: Die Musik in Samuel Becketts dramatischem Spätwerk
Es lebe Kulturkampf!: Polish Parody Songs from Nazi Concentration Camps
At Home and Abroad: The Critical Reception of Ethel Smyth's Operas in England and Germany
Alexander Mikhailov as Musicologist
Session 36: Nationalism
General Histories of Music and the Place of the European Periphery
Baltic Music-History Writing: Problems and Perspectives
Le révision de Boris Godounov par le compositeur Letton Melngailis (1924): Premiers éléments sur une version inconnue de l'opéra de Moussorgski
Some Premisses for the Study of Peripheral Musical Nationalism in the Twentieth Century: Fernando Lopes-Graÿa and the Problem of Tradition in Contemporay Portuguese Music
How Musicological and Ethnomusicological is Spanish Flamenco?
PART 5: ABSTRACTS OF POSTER SESSIONS
Session 1: Analytical Applications
The Antiphons for the Consecration of Virgins and the Changing Role of Plainchant in the Middle Ages
Computer Applications to Sketch Studies: A Database with Image Access for Berg's Sketches for Wozzeck
Multimedia Environments for the Study of Musical Structure
Knowledge-Based Stimulations: Technological Tools for Music Research
Toward a Model for Background Motivic Structure
Computer Applications and Visual Aids for a Historically Orientated Structural Analysis of Pitches
Session 2: New Computer Applications in Musicology
POCO: Tools for Analysing, Modifying, and Generating Performance Expression in Music
An Adaptive Optical Music Recognition System
Music, Memory, and Time
A Parallel Processing Key-Finding Model: Strucure and Applications
Session 3: Databases
Lessico italiano della didattica vocale
Villanelle alla napolitana e canzonette alla romana
RISM A/II CD-ROM
Hispanic Music Archive and Library Project
Colleción musical: Fondo Canuto Berea (archivo y partituras) de la Biblioteca de la Diputación Provincial de La Coruña (España)
An Antiphonal from Kranj: Analytical Approach to its Contents
The Grey Collection of the South African Library, Cape Town: Studies of Western Plainchant Sources in South Africa
Session 4: Multimedia
Shepherd-Musicians in Catalano-Aragonese Iconography from the Fourteenth and Fifteenth Centuries
How did Harry James Make us Love him?
The Third Symphony of Gustav Mahler: Ballet by John Neumeier
Music Criticism Today
The Duangong: A Qian Shaman
Acknowledgements
Index of Contributors